Archive for the ‘Editorial’ Category

October 12th, 2007

While The Debates Over Hip Hop Continue….

With all the debates surrounding the impact of Hip Hop, one has to wonder if people really remember were hip hop came from. The following are excerpts of lyrics which derive from an era when Hip Hop was considered to be positive, political, or at the least extremely versatile. Please take a moment to analyze them.

“Well, today’s topic, self destruction
It really ain’t the rap audience that’s buggin”
– KRS ONE, Self Destruction

Written by Nika AKA Whateva…
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October 12th, 2007

Come Out, Come Out, Wherever You Are.

I, quite arguably, grew up in the last generation were “it” persistently existed. This is sad in a sense because I am only 34 years old. “It” was a self check that allowed one to think and make rational decisions about irrational behaviors.

“It” is actually defined as a painful sense of guild or dishonor; deep regret; modesty; something that causes reproach or disgrace. The “it” that I’m referencing use to be shame, but somehow, shame has been replaced with “keeping it real” or as some young people call it “keeping it gangsta,” or “keeping it one hundred.” And I ask, “how real is that?”

Let us explore what shame used to do.

Written by Cornell Dews
inspired by a conversation I had with my Mom
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October 1st, 2007

Why Don’t We Look At What’s Right With Hip Hop?

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Words & Image by Tarik Lawrence

   Too many people concentrate on what’s wrong with hip-hop nowadays as opposed to what’s RIGHT with hip-hop. As with the recent airing of Hip-hop vs.
America too many people blame a “tip-drill” video for being too explicit. That video specifically aired on BET Uncut and the Internet as a use of discretion for younger children not to watch. That video is nothing compared to what you can see on the Playboy channel, and other pay-per-view channels. Just like how parents make sure not to order these XXX movies or have them
available, Parental control should be used for watching these videos with too many images of sex. Not every video is like that. “Tip drill” only dealt with
the subject matter of that particular song.

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September 28th, 2007

“Who The Kids Gonna Listen Too? I Guess Me If It Isn’t You.”

Can you imagine this being the rhetorical question asked by all rappers? Presently, who else is engaging our youth? Most elders are too scared to engage our youth. Too many of our youth are too disrespectful to our elders to be engaged by them. It’s obvious that many parents aren’t engaging their own children. And nobody else is intervening. Remember years ago, the television commercial that raised the question, “Do you know where your child is?” I think the new question should be, “When was the last time you engaged your child in a conversation?’ Or better yet, “When was the last time you engaged any child in a conversation?”

Written by Cornell Dews
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September 21st, 2007

When I Die…

I could care less to be buried a “G.”  I would just hope that I’ve lived a life that a eulogy could be read for me.  When I heard the recording of the great Ossie Davis reading a eulogy for, as he termed him, our “Black ShiningPrince,” I knew then that was how I wanted someone to memorialize me.  For those who may be unaware, Mr. Davis’ “Black Shining Prince” reference was for El Hajj Malik El Shabazz, better known as Brother Malcolm X.  And a eulogy, which many of our kids are unfamiliar with, is defined as:  a speech or writing in praise of a person; a set oration in honor of a deceased person; high praise or commendation.  That’s how I want to be memorialized.

Written by Cornell Dews

Don’t pour out liquor for me.  Don’t bust your guns for me.  Don’t place my picture on a tee shirt and create a makeshift memorial, which often includes stained teddy bears, balloons and empty bottles of the deceased drink of choice.  Instead, listen to someone who knew me, talk about the remarkable life I lived.  Listen to those who knew me talk about how I inspired and helped many.  Listen to those who knew me talk about how I motivated them to pursue their dreams, by pursuing my own.  Allow my funeral to be recognized as a “Home Going,” a life celebrated and not that of an individual who died with more promise them accomplishments.

 Nowadays, so many of our young black men are being buried as “promising individuals” whose life was cut short.  How often have you heard the following statement, “he had so much more to offer?”  The obituary read of “accomplishments” that their closest friends are unfamiliar with.  He gave his life to Christ when, we ask?  He was educated in what school system?  As we think to ourselves, for all of the years I’ve known him, I’ve never heard him once utter the Lords name, unless in vain and I never recalled seeing him in class.  After the reading of the obituary, we’re left asking ourselves the following question in exaggerated context.  He loved to do “what?”  You begin to wonder if you’re at the right funeral.

Then after the obituary is read, throughout the rest of the ceremony, there’s very little reference made about the individual that we all gathered to mourn.  Why?  Well honestly, because he hasn’t lived long enough in life to accomplish anything worthy of recognition.  And most of what was read about him already has been embellished.  So the focus is then turned to attempting to save the lives, by rhetoric, of the young friends of the deceased in attendance.  Who wants to die like that?

I remember being told, “You should live your life as if you’re authoring your own obituary.”  Well, in actuality, that’s what we’re doing.  So I ask, “How do you want people to remember you?”  And, “what do you want people to remember you for?”  We all have the opportunity to make an impact on people lives.  So make an impact on some-one’s life and allow someone to make an impact on yours.

When asked, “Cornell, what’s your goal in life?”  Without hesitation, my response is, “to live a life that will allow my daughter to go wherever she chooses and when asked to give her name, Imani Dews, it will beckon the question, was your father Cornell Dews?”  And she could proudly say, “Yes he is!”

So, when I Die, bury me a MAN, whom lived an accomplished life; one that his family can be proud of.  And again I ask, “how do you want to be remembered?”   

 Written by Cornell Dews

September 14th, 2007

Who Can Vouch For You?

At one time, that was the most pertinent question that one could ask and would ask in the streets. Who can vouch for you? Do you all remember that? A person could not, nor would he attempt to talk about the things he had, what he did, who he did with or what he would do, without having a “co-signer.” I came of age during a time of authenticity. To put it in summation, Jay once rapped, “you couldn’t talk about it if you ain’t did it.” Not only could you not talk fake shit, you couldn’t even wear fake shit when I was growing up.

Written by Cornell Dews

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September 7th, 2007

Useless Experimentation or Innovation of the Music’s Essence?

     With the overwhelming amount of anticipation surrounding Kanye West’s third album Graduation, many hip-hop fans are expecting the given usual ingredient of great innovative production in West’s musical repertoire. With the techno-inspired second single such as “Stronger”, Kanye West exposes hip-hop fans to a different avenue in his sampling techniques. Earlier this week, he revealed in his album listening session that he had been listening to a considerable amount of rock music during these past two years. West’s sense of musical experimentation potentially incites some conversations amongst individuals about the definition of “true” hip-hop especially in a period where the debate over hip-hop is constantly been a hot topic with the rise and commercial success of southern rappers into the mainstream musical scene. West’s new wave musical expression is even reflected in his wardrobe which has sparked reactions from hip-hop circles including fellow labelmate Beanie Sigel who objected to West’s fashion sense and labeled him a gay man as a result of it.

Article by Yves Mutanda
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